George's Local
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Smith Hanes Studio
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“TOGETHER WE FLY”
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio.
Not smooth jazz. Old jazz. Timeless jazz. For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz. For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good.
"PREMIUM PLUS REGULAR"
George’s Local is a casual, New American restaurant situated at the corner of 4th and Main in historic downtown Cedar Falls, Iowa. Which, in a former life, was home to a local tire shop and service station.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
From the well-appointed dining room to the open patio, the result became an instant hit with the hometown crowd. Giving downtown Cedar Falls a place to gather for good drinks, good food, and good times.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
From the well-appointed dining room to the open patio, the result became an instant hit with the hometown crowd. Giving downtown Cedar Falls a place to gather for good drinks, good food, and good times.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
From the well-appointed dining room to the open patio, the result became an instant hit with the hometown crowd. Giving downtown Cedar Falls a place to gather for good drinks, good food, and good times.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by the building, we took cues from the vintage automotive/mechanic space to create a design system that felt hard-working and friendly. We partnered with Smith Hanes Studio and restauranteur Cory Kent to bring the brand identity to life.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
From the well-appointed dining room to the open patio, the result became an instant hit with the hometown crowd. Giving downtown Cedar Falls a place to gather for good drinks, good food, and good times.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong